Saturday, July 11, 2009

Melbourne International Film Festival Launches Program



The 2009 Melbourne International Film Festival has opened its box office and launched this year’s complete program at the official site.

I myself am already booked in for screenings of Moon, The Hurt Locker, Thirst, Mother, Bronson, Paper Soldier, The Embodiment of Evil, The White Ribbon, In the Loop, Blessed, Antichrist, and the gala premiere of Inglourious Basterds to be introduced by Quentin Tarantino and which sold out in three minutes flat. I’ve still a handful of tickets left to book — what are you other Melburnians taking in?

The MIFF runs from July 2th through August 9th.

Thursday, July 9, 2009

Lucky Country Promotion Winners



Thanks to the fine folk at Footprint Films, ten readers have scored themselves a double pass to a Melbourne screening of Kriv Stenders’ Lucky Country this Sunday.

Congratulations to the winning entrants: Luke Miksa, Scott McKenzie, Kylie Crossingham, Claire Hollamby, Kate Fernandez, Murray Galbraith, Jessica Davis, Nghi Huynh, Sammie Needham and Kristie Hokin. Your names have been added to the door list for the 11am screening at Palace Cinema Como on Chapel St, South Yarra this Sunday, July 12th. Bring a friend and enjoy Lucky Country! For any further questions or information, please feel free to email me. Thankyou for taking part!

Lucky Country releases July 16th.

- gerard.

Funny People Red Band Trailer



That’s more like it — finally a trailer for Judd Apatow’s upcoming Funny People which doesn’t so openly spoil the course of its story. And with Australian audiences having to wait until September 10th to see the writer/director/überproducer’s first offering as director since 2007’s Knocked Up, the less given away in the marketing, the better.

Watch at /Film.

New Look at Jennifer’s Body

If the recent trailer for Karyn Kusama’s gruesome teen-demon-com Jennifer’s Body didn’t satisfy your appetite for a fang-faced and sanguineous Megan Fox, Fangoria has today revealed a fresh shot of just that.

Click below:



Scripted by Diablo Cody, here dallying with jock-chomping demonic possession, the film hits Australia on October 29th.

Lawrence, Smith Circle City That Sailed



Francis Lawrence looks set to reteam with Will Smith, star of his underwhelming I Am Legend, on the “fantastical drama” The City That Sailed.

Penned by Gattaca screenwriter Andrew Niccol, City sees a New York street magician en route to reunite with his London-based daughter after the girl’s wish to be with her father causes the island of Manhattan to rupture from the mainland and float across the sea.

Neither Lawrence or Smith are yet officially signed, but the filmmaker is developing the project in conjunction with Smith’s production banner with an eye to eventually take the helm.

Story at The Hollywood Reporter.

I Love You Phillip Morris Poster

The first one-sheet for the Jim Carrey/Ewan McGregor black comic prison romance two-hander, I Love You Phillip Morris, recently appeared at IMPAwards and it’s certainly some kind of garish.

Enlarge (if you dare):



Written and directed by Bad Santa scribes Glenn Ficara and John Riqua, I Love You Phillip Morris sees Carrey’s married, closeted conman fall in love with his prison cellmate (McGregor) after his underhanded lifestyle finally catches up with him.

No Australian release has been set.

New District 9 Trailer



Offering tantalising glimpse at the film’s larger story is the new trailer for Neill Blomkamp’s District 9. Human footsoldiers take on exiled extraterrestrials beneath the exposing glare of broad daylight, humanoid mech suits pluck launched rockets from the air mid-trajectory and a television reporter becomes infected with an alien substance to seemingly alarming effect. August 13th, you cannot come soon enough...

Check it out at Yahoo! Movies.

Another Inglourious Posterd

Brad Pitt crests a mountain of slain Nazi corpses in yet another new one sheet for Quentin Tarantino’s Inglourious Basterds which has just shown up at Yahoo! Movies.

Enlarge below:



Tarantino will be in town for the film’s August 2nd red carpet premiere at the Melbourne International Film Festival. Tickets go on sale 11am tomorrow at the MIFF’s official site.

Inglourious Basterds opens wide on August 20th.

Wednesday, July 8, 2009

Big Fan Trailer



Robert D. Siegel, screenwriter of The Wrestler, makes his directorial debut with Big Fan in which Patton Oswalt plays an obsessive football nut who’s dealt a savage beating by his favourite player. Looking more parts dark character study than its set-up when paired with the involvement of Oswalt might initially suggest, the film’s first trailer is up at Yahoo! Movies.

Watch here.

Notch me up as very interested...

Forte, Taccone Plan MacGruber Movie



Will Forte’s MacGyver-spoofing spy, MacGruber, is set to make the transition from Saturday Night Live to the big screen, Variety tells.

Following the path previously blazed (with varying degrees of success) by the likes of The Blues Brothers, Coneheads, Wayne’s World and Superstar, MacGruber will stretch the exploits of its titular recurring skit character into full feature length. Kristen Wiig is signed to co-star, with Val Kilmer and Ryan Phillippe reportedly in talks.

The Lonely Island’s Jorma Taccone, a resident writer on SNL, is tapped to direct.

More here.

New District 9 One-Sheet

Happy news, humans! Neill Blomkamp’s alien refugee saga District 9 recently saw its local release bumped forward from mid-October to the much more patience-pleasing August 13th. A new poster for the film has shown up at Yahoo! Movies — though it’s basically a variation of the first one.

Enlarge:



For more, head to District 9’s official site.

A German Christmas Carol Poster

Sure, it might be in German, but we won’t hold that against this wonderful new one-sheet for Robert Zemeckis’ upcoming A Christmas Carol which recently popped up at DVD-Forum.

Enlarge below:



Now, I’m no scientist, so take this with a grain of salt, but I believe it says A Christmas Carol...

Monday, July 6, 2009

New Public Enemies Poster

Contrary to the common consensus that the film’s a letdown (if that 65% on Rotten Tomatoes is anything to go on), I fell hard for Michael Mann’s Depression-era crime thriller, Public Enemies. Picking up fourteen months prior to the death by shooting of infamous bank robber, John Dillinger, the film gives exhilarating glimpse at 1930s’ Chicago in a fashion never yet seen thanks to Mann’s now-signature handheld hi-def handiwork, as well as housing another effortlessly excellent turn from Johnny Depp as that other media-favoured JD. It might leave those seeking blockbuster pyrotechnics or a definitive Dillinger biopic somewhat non-plussed, but ye of open mind and with a hunger for an interesting spin on adult action cinema: bon appétit.

IMPAwards has today added a great new one-sheet for the film — a replication of Dillinger’s mug-shot as posed for by Depp (curiously appearing here sans moustache). Enlarge:



Public Enemies releases locally on July 30th and I’ll have a full review up before its release.

Jennifer’s Body Trailer



Jennifer’s Body will prove worthy of note for laying to rest any speculation over the following questions:

1) Will lightning strike twice for Oscar-blessed Juno scribe Diablo Cody?; and
2) Can Megan Fox actually act?

ShockTillYouDrop has premiered the film’s red band trailer. Ever wanted to see the Transformers starlet eat the face off a quarterback or singe her own tongue with a cigarette lighter? Here’s your chance.

Watch here.

Directed by Girlfight’s Karyn Kusama, Jennifer’s Body releases October 29th.

Balibo Trailer



As one of the finest Australian films of a year to boast a particularly bumper crop, Robert Connolly’s exemplary Balibo will later this month make its auspicious debut as the opening night attraction of the 2009 Melbourne International Film Festival, and a worthier candidate you’d be hard-pressed to find. A punishing, incendiary hot-button thriller circling the murders of five Australian journalists during the 1975 invasion of East Timor, Balibo is provocative and politically-minded in a way few local productions ever even strive to achieve.

The film’s first trailer has gone live — visit Balibo.com to watch. And be sure to check back on Wednesday, July 8th for the launch of the full official site.

Balibo premieres at MIFF on July 24th before opening nationally on August 13th.

Eight 9 Character Posters

Direct from Focus Features comes an eye-catching octet of one-sheets for Shane Acker’s post-apocalyptic animated stitchpunk spectacular, 9, complete with character descriptions.

Enlarge (and read) below:



1- Voiced by one of the world’s most respected actors, Christopher Plummer, 1 is the Scientist’s first creation. As the elder, he is the self-declared leader of the group. He is clever and sly, but also domineering, quick-tempered, and threatened by the new arrival of 9, whose higher intellect leads him to question authority.

2- Voiced by Academy Award Winner Martin Landau, 2 is a kindly but now frail inventor and explorer who embodies the Scientist’s strong creative spirit. An inquisitive personality, 2 is fearless. Director Shane Acker affectionately describes him as a ‘salty old dog’.



3 & 4- Communicating visually, not verbally, 3 and 4 are the scholarly twins who voraciously catalogue everything they can see and find, recording and building a massive database for the group of the world that surrounds them and the history that led up to their creation.

5- Voiced by Academy Award nominee John C. Reilly, 5 is a caring, nurturing engineer -- the loyal, big-hearted ‘common man’ who always tries to play the peacemaker. He is also an apprentice of 2, with whom he shares a special bond.



6- 6, the group’s visionary, is voiced by Crispin Glover. Although reclusive and eccentric, his bursts of artistic inspiration through drawings made from his pen nib hands may be keys to help his fellow stitchpunk beings navigate their darkest hours.

7- A brave and self-sufficient warrior, 7, voiced by Oscar winner Jennifer Connelly, is the group’s sole female. A fiercely independent adventuress she has been out patrolling the wasteland. To survive, she has adapted, finding the bones of a deceased bird and crafting her signature skull helmet.



8- Armed with a giant kitchen cleaver and half a scissor blade, the none-too-bright muscle and enforcer of the group, 8, is created to help the others physically survive the dangerous post-apocalyptic world.

9- To voice the lead role of the newly born -- and aborning hero -- 9, Acker couldn’t help but have in mind an actor who was so central to the film set he had worked on years earlier in New Zealand -- The Lord of the Rings: The Return of the King star Elijah Wood.

Keep at least one eye trained on 9Experiment.com to remain abreast of all things both calico and catastrophic...

Sunday, July 5, 2009

Five Minutes of Heaven Trailer



I loved it at the Sydney Film Festival and its one-sheet showed up online earlier in the week, and now Downfall helmer Oliver Hirschbiegel’s Five Minutes of Heaven finally has a preview available for online viewing courtesy of Apple Trailers.

Starring Liam Neeson and James Nesbitt, the film is yet to set an Australian release.

Find its trailer here.

Inglourious Bannerds

As its August 20th release inches ever the nearer, the Inglourious Basterds saturation continues. And frankly, after the wait we’ve endured for Quentin Tarantino’s spellcheck-assailing WWII extravaganza, I’d not have it any other way.

Following on from the film’s recent second trailer release are a quintet of striking banners which have shown up at Empire Online:





The film will have its Australian premiere at the Melbourne International Film Festival.

Pearce, Madison Not Afraid of Afraid of the Dark



Guy Pearce is in talks and Bridge to Terabithia’s Bailee Madison already signed to join Katie Holmes in Don’t Be Afraid of the Dark, the Guillermo del Toro produced supernatural thriller set to lens next month in Melbourne.

Troy Nixey will direct from a screenplay by del Toro and Matthew Robbins which is based on a 1973 telemovie about “a young girl who moves in with her father and his girlfriend and discovers they are sharing the house with demonic creatures.”

Pearce, if secured, will play the father; Madison, his daughter. Holmes is onboard as the girlfriend.

Story at The Hollywood Reporter.

Wednesday, July 1, 2009

The Informant! Trailer



Should The Girlfriend Experience (which was one of my favourite titles I caught at the Sydney Film Festival — final SFF writeups in the week ahead, I promise...) secure a local theatrical run this year, the ever-prolific and always interesting Steven Soderbergh will have had no less than four films on Australian release in 2009: The Girlfriend Experience, Che: Part One, Che: Part Two, and The Informant!, the Matt Damon-toplined black comic thriller detailing one of the most high-stakes cases of corporate whistleblowing in US history. The latter’s first trailer has dropped at Apple Trailers, and what immediately strikes is the extent to which this is pitching for laughs. What could in other hands have, well, informed ‘A SERIOUS MOVIE’ (note to Michael Mann: I’m a fan of the tack with which you covered similar ground in The Insider, however) instead promises to bring the funny but good.

Have a look here.

The Informant! releases, exclamation point and all, on October 22nd.

Five Minutes of Heaven One-Sheet

I recently saw Oliver Hirschbiegel’s Five Minutes of Heaven at the Sydney Film Festival and enjoyed it enormously (see?). Splitting its run-time between the build up to a shocking act of real-life violence and a fictional cogitation on what might unfold should its perpetrator and the witness brother of his victim again come face-to-face some thirty-three years later, it stands as one of my favourite new releases I’ve yet seen this year — it’s involving, funny and brilliantly scripted, as well as packing no shortage of emotional wallop. Now, Trailer Addict has turned up the film’s first poster, which can be enlarged below:



Terribly exciting? Perhaps not, but it tells all you need to know: on the one hand, Liam Neeson; the other, James Nesbitt...

Five Minutes of Heaven is yet to set an Australian release.

Tuesday, June 30, 2009

Teaser for Jeunet's Micmacs à tire-larigot



A brief, French-language teaser for Jean-Pierre Jeunet’s Micmacs à tire-larigot, his first film since 2004’s A Very Long Engagement, has arrived online courtesy of Twitchfilm. From what we can gather here, Danny Boon plays a man with a bullet lodged in his skull and Jeunet is flexing the same fabulist ramshackle world-building muscles which saw the likes of Delicatessen and City of Lost Children leave such an impression. But fret not, Amélie acolytes: the filmmaker’s sense of feathery magic-realist whimsy would also seem to be on generous display.

Dominique Pinon, Séraphine’s Yolande Moreau and Jean-Pierre Marielle co-star.

Find the trailer here.

Adams a Fighter



Want another reason to pay attention to The Fighter save for the promise of an on-screen square-off between Messrs Bale and Wahlberg and the potential for an on-set punch-on between director David O. Russell and anyone in sight? It’s Variety to the rescue with just such an enticement, telling Amy Adams has entered negotations to step into the ring.

Adams, if secured, will play a “gritty” bartender replete with Massachusetts-ian accent who comes to play apple to Bale’s character’s eye.

Shooting is scheduled for later this year.

Story here.

Daybreakers Trailer



So it turns out Daybreakers, Aussie genre junkies the Spierig brothers’ sophomore effort after 2003’s comic zombie-cum-alien-invasion romp, Undead, isn’t actually playing for laughs — well, not if its first trailer is to be believed. Not that there’s anything wrong with that, mind (least of all when you have an anemic Sam Neill front and centre as a spruce vampire ringleader) but it’s certainly something of a surprise. Tonal curveballs aside, any trailer to sport a goateed Willem Dafoe dropping dialogue like “We’re the folks with the crossbows” is alright by me, even if the film’s ‘world governed by vampires facing a dwindling food supply’ throughline feels curiously (yet elusively) familliar...

Also starring Ethan Hawke and Claudia Karvan, Daybreakers opens January 21st 2010.

Find the trailer at Yahoo! Movies.

New Inglourious Basterds Trailer



Tarantino tackles WWII. Just try telling me you’re not excited.

Find the new trailer for Inglourious Basterds at Yahoo! Movies.

The film will have its Australian premiere at the Melbourne International Film Festival before going wide on August 20th. Not long now...

Monday, June 29, 2009

Lucky Country Giveaway



UPDATE: The competition has now closed. Congratulations to the winning entrants: Luke Miksa, Scott McKenzie, Kylie Crossingham, Claire Hollamby, Kate Fernandez, Murray Galbraith, Jessica Davis, Nghi Huynh, Sammie Needham and Kristie Hokin. Your names have been added to the door list for the 11am screening at Palace Cinema Como on Chapel St, South Yarra on Sunday, July 12th. Bring a friend and enjoy Lucky Country! For any further questions or information, please feel free to email me. Thankyou for taking part!

- gerard.

Live in Melbourne? No plans for the morning of Sunday, July 12th? Well, fellow film fan, you’re in luck — Lucky Country, that is...

The tremendous folk at Footprint Films are offering ten celluloid tongue readers the chance to catch an advance screening of Lucky Country, the new Australian film from Kriv Stenders, director of Boxing Day.

From the film’s official synopsis:

1902….the Australian Federation is a year old. 12 year-old Tom’s beloved father Nat has dragged him and his sister Sarah to an isolated farm at the edge of the woods. But Nat’s dream of living off the land has died and he is losing his grip on sanity. When three ex-soldiers arrive at their cabin one night Tom, like his father, believes they are providence. ‘Your mother always said never turn away strangers, they may be angels in disguise…’

But their presence becomes more menacing when one of them reveals a secret: he’s found gold. As the lure of gold infects everyone around him the cabin becomes a psychological battleground in which Tom’s loyalty is put to the ultimate test.”

For more on Lucky Country, visit its official site.

To be eligible to win you have to be in Melbourne and able to make it to Palace Cinema Como (situated on the corner of Toorak Rd and Chapel St in South Yarra) for an 11am screening on the aformentioned Sunday, July 12th.

There are ten double-passes to be given away, with winners collecting their tickets at the cinema on the morning of the screening.

To enter, simply leave your full name and identify another Australian film that’s already released/is set for release this year (and no doubling up on answers, please) in the comments below. Competition closes July 8th or when all tickets have been won and it’s first in, best dressed, so get cracking!

And don’t forget to check back to see if you’re a winner....

The Time Traveller’s Wife Trailer



I was damn near moved to tears by the trailer for The Time Traveller’s Wife. No, not because Flightplan helmer Robert Schwentke’s bigscreen rendering of Audrey Niffenegger’s suprisingly edgy and utterly disarming bestseller seems set to assault unfortified heartstrings with all the delicacy of a bottle of Blanc de Noirs uncorked aimed at the groin. Rather that the syrup on show suggests Schwentke and co. have it so wrong — where’s the cheek? The grit? The novel’s heart-on-sleeve passion for punk? Henry and Clare, despite being inhabited by the reliable Eric Bana and the always wonderful Rachel McAdams, appear to have been robbed of their scruffy charm in a take which gears clearly for sanitised rom-foppery...

Watch for yourself at Apple Trailers.

The Time Traveller’s Wife opens on November 5th.

2012 Trailer


Granted, 10,000 B.C. might well be the most boring film to feature a drove of woolly mammoths storming a partially-constructed pyramid ever, but just try and watch the trailer for Roland Emmerich’s none-more-epic follow-up, 2012, without gasping “Holy shit!” less than twice. Seriously. It’s that out there. Meteorites pummel John Cusack’s Winnebago, earthquakes topple multi-storey car parks like the gods’ game of Jenga and leviathan ocean swells swallow great cities whole. Its nice to see Emmerich back where he belongs: in the present day, wiping landmarks off the map in so spectacular a fashion as to compel Michael Bay to turn in his IMAX rig and have a stab at some Virginia Woolf.

Find the film’s trailer at Apple Trailers.

Starring Cusack, Amanda Peet, Chiwetel Ejiofor, Oliver Platt and Danny Glover, 2012 opens November 12th.

Sunday, June 28, 2009

Lucky Country Trailer



Although the shadow of John Hillcoat’s criminally underrated homegrown classic The Proposition might loom large over the ostensibly similarly-concerned Lucky Country, the film’s first trailer paints a different picture entirely. Eschewing the arid Outback vistas of Hillcoat’s sparse picture in favour of an isolated cabin in the forest, director Kriv Stenders’ (Boxing Day) exploration of colonial-days psychologial power-playing seems set to continue 2009’s burgeoning reputation as something of a vintage year for Australian cinema. Fingers crossed.

Find the trailer at the film’s official site.

Lucky Country releases July 16th.

The Invention of Lying Trailer



Formerly (and, I’d argue, better) titled This Side of the Truth, Ricky Gervais’ feature directorial debut, The Invention of Lying, has its first trailer available at Yahoo! Movies. The premise — in a world where no-one has ever voiced an untruth, one man alone learns how to lie — might have shades of Bruce Almighty about it, but with Gervais in charge and at front-and-centre of a knockout comic ensemble (Tina Fey, Jennifer Garner, Rob Lowe, Jonah Hill, Jason Bateman, Jeffrey Tambor), I’m sure its safe to expect a surprising spin on the scenario that will see him at his wormily hilarious best.

Watch here.

Alice in Wonderland Logo

To break up the spate of trailers I’m currently catching up on, here’s the decidedly Burtonesque logo for Tim Burton’s Alice in Wonderland:



/Film had it first. And, unsurprisingly, I dig.

The Box Trailer



I’ll admit upfront: I’m a fan of Richard Kelly’s Southland Tales. Granted, the filmmaker’s follow-up to the masterstroke debut that was Donnie Darko remains a decidedly less potent demonstration of his particularised powers, but I can hardly fault the guy for his grasp falling short of his wonderfully whacked-out reach. So its with no shortage of enthusiasm I look forward to Kelly’s third feature, The Box, based on a 1986 episode of The Twilight Zone and starring Cameron Diaz, James Marsden and Frank Langella.

The trailer promises an eerie genre exercise with a healthy helping of the moral meditation its set-up suggests: when a fiscally-stricken couple are given a mysterious box, an equally enigmatic stranger explains pushing the button contained within will bring them one million dollars in cash — but result in the death of a person they’ve never known.

You can watch for yourself at Yahoo! Movies.

The Box drops October 29th — just in time for Halloween.

Zombieland Trailer



Remember when zombie movies were relegated to the bottom shelves of the darkest corners of the local video store’s curtained-off ‘Horror’ section? Cheap, nasty, and often foreign-language splatter flings courtesy of the most dubious ‘talent’ straight-to-video-dom had to offer? No longer so. Somewhere along the line, zombies became vogue, and the new millennium has seen so many high-profile spins on the genre as to elicit dead-set zombie fatigue. For every Shaun of the Dead there’s nine Resident Evils; for every 28 Days Later, a spate of adequate-if-tiresome Dead Snows. And when the great George Romero’s even failing to inject new blood into things, you know it’s perhaps time the grave-evading brain-cravers be permitted to rest in peace.

But then comes the trailer for Ruben Fleischer’s Zombieland. Starring Woody Harrelson as a rock-star zombie-slogger in a world gone to hell, along with Jesse Eisenberg (of Adventureland), Abigail Breslin (of Little Miss Sunshine) and Emma Stone (of Superbad), the film’s first trailer is straight-up kick-ass. How to resuscitate a gimmick that’s been done to un-death? How about a whole film with a great cast fighting to one-up each other in the inventive kill stakes?

Apple Trailers... Apple Traaaaaaaaaaiiiiiileeeeeeeeers... etc.

Zombieland releases December 10th.

Benicio Del Toro Goes Somewhere



With a cast led by Stephen Dorff and Elle Fanning, Sofia Coppola’s Somewhere recently added a high-profile name to its ranks: Benicio ‘Which Reminds Me, When the Hell Are We Going to Get a Trailer For The Wolfman Already?*’ Del Toro.

Movieline tells the actor’s part only amounts to a cameo, however, in which his character has a run-in with Dorff’s temperamental superstar at the Chateau Marmont.

Cameo or not, the more Benicio we have to look forward to, the better. The performer’s most recent project(s), Steven Soderbergh’s two-part Che epic(s), recently screened at the Sydney Film Festival and will see a wider Australian release in the months ahead.

Story here.

*Seriously.

Saturday, June 27, 2009

The Devil and Doctor Parnassus



I was recently very flattered to be enlisted by the wonderful Theresa from The Imaginarium of Doctor Parnassus Support Site to contribute a short exclusive article for the site. Best of all, my subject was Tom Waits. You can read it here. And be sure to keep checking back, as I hear there are plenty more exciting Parnassus morsels yet to come...

Tuesday, June 23, 2009

Ponyo Trailer



Prepare to smile: Apple has the first English-language trailer for Hayao Miyazaki’s Ponyo, and, unsurprisingly, it’s gorgeous.

But don’t take my word for it — see for yourself here.

Daybreakers Teaser Poster

Although split at its genre-stuffed seams during its finale it might, Undead, the gleefully gory 2003 feature debut from Aussie siblings, the Spierig brothers, announced the pair as film-savvy fresh blood on the local scene. Now, some six years subsequent to that homegrown zombie romp, AICN has revealed the first piece of promotion for the brothers’ January 2010 release, Daybreakers, in the crimson-heavy form of the below-enlargeable one-sheet:



Starring Willem Dafoe, Ethan Hawke, Sam Neill and Claudia Karvan, Daybreakers finds the vampire race ruling 2019 Earth faced with the prospect of a dwindling food supply — namely, humanity’s on its last legs. Nice to see the brothers haven’t lost their taste for the grisly...

Even Newer Look at Burton’s Alice in Wonderland

Further to yesterday’s bevy of Burton-skewed artwork from the filmmaker’s Alice in Wonderland, Yahoo! Movies has unveiled a pair of new character profiles: Mia Wasikowska’s titular heroine and Little Britain’s Matt Lucas as twins Tweedledee and Tweedledum.

Click:



Right. So who’s officially excited, then?

Monday, June 22, 2009

New Look at Burton’s Alice in Wonderland

It seems like so short a while ago that celluloid tongue crept quietly into the blogosphere with this inaugural dispatch, an awards season trade advert for Tim Burton’s Sweeney Todd. And now, some 1000+ posts and nineteen months later, I find myself updating with the first serious look at the fimmaker’s upcoming Alice in Wonderland — would that I could send a missive back to my sixteen-year-old self relaying all of the aforementioned...

But, I digress.

From USA Today comes said peek proper, divulging not only a trio of character profiles featuring Johnny Depp’s pallid Mad Hatter, Helena Bonham Carter’s swell-headed Red Queen and Anne Hathaway’s ethereal White Queen, but also three items of concept art, the most striking of which showcases the gate to Wonderland as guarded by an appropriately elliptical Tweedledee and Tweedledum (and in trademark Burton black and white candystripes, no less).

Enlarge:







Wonderful.

For both some insights from producer Richard Zanuck and hi-res versions of the conceptual artwork, find the original article here.

Shutter Island Trailer



Thanks to my recent sabbatical, I am nothing if not behind when it comes to all news cinematically-inclined and breaking of late. Exhibit A: The by-now-weeks-old first trailer for Martin Scorsese’s newest genre foray, Shutter Island. An adaptation of the novel by Mystic River and Gone Baby Gone author, Dennis Lehane, the film boasts the brag-worthy central pairing of Leonardo DiCaprio and Mark Ruffalo as two US marshals investigating the disappearance of a multiple murderess from an island-bound institution for the criminally insane. And although this trailer turns up its fair share of spookfest conventions (Creepy staring nutcase! Baleful distant lighthouse! Hellish hallucinations! Jackie Earle Haley!), the sterling cast (Michelle Williams, Max von Sydow, Ben Kingsley and Patricia Clarkson included) and the promise of Scorsese getting his scare on convince.

Watch for yourself at Apple Trailers.

Shutter Island releases October 1st.

New 9 One-Sheet, Viral Website

Shane Acker’s apocalyptic ragdoll yarn, 9, has secured the attractive release date of 09/09/09 in the US, though at this stage, it’s local bow hasn’t yet been announced. Good thing, then, that the fine folk at Focus Features are releasing regular stitch fixes to scratch our communal calico-craving itch, having recently dropped a pair of fine 9 goodies.

First up is the film’s final one-sheet, brimming with eerie dystopian gloom and able to be made very large below:



Finally, a new viral site for the film has gone live at 9Experiment.com — keep an eye hereabouts for the unfurling of its Earth-razing backstory...

Friday, June 19, 2009

Film Review - Fanboys



Star Wars spoofs are a druggat a dozen, but a road comedy about The Holy Trilogy’s diehard devotees? You’d be forgiven for having a bad feeling about this. But while an easy laugh at the expense of misfit devotees of George Lucas’ galaxy far, far away would no doubt have proved the easier sell, Fanboys scores for its geek-ogling insider’s eye and its heart; placement plainly on-sleeve.

Granted, Kyle Newman’s salute to pop culture fanaticism is too niche to trouble raucous fellow road-tripper The Hangover when it comes to public pocket — Willow gags might be rad for kids of the 80s and those in the know, but a baby being slammed by a car door is universally hysterical. However, for anyone who’s ever mimed a playground lightsaber duel or whose Nien Nunb action figure now claims prize placement atop their PC, the Force is surprisingly strong with this one. Up-and-comer Jay Baruchel (Tropic Thunder’s lone voice of reason), token brash fat guy, Dan Fogler, and Superman Returns’ Sam Huntington are Windows, Hutch and Eric, a trio of friends in a difficult position. It’s 1998 and their countdown clock tells the Star Wars saga’s first new entry in sixteen years, Episode I - The Phantom Menace, is still half a year from release. And while the anticipation might nearly kill them, the wait will certainly prove too long for Linus (Chris Marquette); diagnosed with cancer, he’s been given just four months to live. Entering a Halloween-night pact to take the bantha by the horns and make good on a highschool-days dream scheme, the four pile into Hutch’s van for the cross country trek to Skywalker Ranch — to steal Episode I right out from beneath George’s beard.

Dopey idea? Certainly; what, with audiences now knowing exactly how Phantom Menace turned out, which presents the obvious quandary of how to handle the characters’ reactions to the disappointing object of their fevered desire. Should they unthinkingly love it, they run risk of coming off as blinkered and brand-besotted, well, fanboys, but nor will you want Linus sent to his deathbed with a head full of ire and a heart ripped in half. Wisely, with a tip of the stormtrooper helmet to road movie tradition, Fanboys neatly sidesteps said pickle and reminds it’s the journey that matters and not our destination. And when the journey in question is stuffed with more obscure in-jokes and familiar faces than a Tusken Raider can shake a gaffi stick at, the ride is scruffily amiable and never less than entertaining, even if it never quite manages the jump to rip-snorting, laugh-loaded lightspeed. Aside, that is, from when a thrice-cameoing Seth Rogen is on-screen as an against-type Trekkie ringleader with an axe to grind with our belligerently Lucas-loving heroes — near-unrecognisable, every word spat from his buck-toothed mouth is on-the-mark, nit-picking nerd gold.

Ultimately, it’s an experience akin to a blithe night in with friends arguing whether Darth Vader would trump Boba Fett in a scrap as you down a couple of brewskis over a trash-talking bout of multiplayer XBox: begat from affection and sporadically hilarious. Those who struggle to tell a Jedi from a Jawa need not apply, but while Fanboys might not look like much, she’s got it where — and for whom — it counts.

DIRECTOR: Kyle Newman
SCREENWRITERS: Ernet Cline and Adam F. Goldberg
CAST: Jay Baruchel, Sam Huntington, Dan Fogler, Chris Marquette, Kristen Bell, Seth Rogen, Danny McBride, Christoper McDonald, Danny Trejo
RATING: M
RUN TIME: 90 minutes

Thursday, June 18, 2009

By way of apology...

Currently working/wrestling with insecurity to meet a deadline, of sorts. Also catching up on sleep after my week away. And have just plain been busy. Sit tight - I’ll be back into the swing of things come Monday, with two more days’ SFF wraps soon to come. As ever, your patience is stupendously appreciated.

- gerard.

Friday, June 12, 2009

ct @ SFF: Face, The Missing Person



Introducing his Cannes-savaged Face via translator today, Ming-liang Tsai proved surprisingly good-humoured when commenting on the near-50% walkout the film endured at its recent world premiere: “Please don’t walk out — just have a nap.”

Your patience with me as I polish off these hasty SFF wraps is again appreciated and regular service shall recommence soon. In the meantime, feel free to @reply the bejesus out of me at my new personal Twitter account (because I don’t already have enough outlets for the squandering of my time)...

Face



Be it Fellini, Lynch, or Charlie Kaufman, few things seem to set the mind of the filmmaker into spiral like reflection on the creative process. In Taiwanese director Ming-liang Tsai’s Louvre-commissioned Face, a Taiwanese director (ten-time Tsai collaborator Kang-sheng Lee) is mounting an extravagant interpretation of the Salomé myth at the Louvre (see?), but it’s some way into this 127-minute exercise in cinéma before any semblance of plot becomes apparent. Comprised of an initially hallucinatory-seeming series of vignettes (a handful of which are lavishly bizarre lip-synched musical numbers), Tsai’s fragmented structure serves to occupy the space between story where subconscious spasms are made manifest in fashions both spectacular and banal. Single frames routinely last for minutes at a time, be they Laetitia Casta duct-taping over a window or Lee trading blow-jobs with Mathieu Amalric in the dark, and while some protracted segments prove genuine endurance tests, another dazzling display is always just around the corner. It’s l’art pour l’art, though almost always beguiling; not for everyone, but sure to mesmerise a few.

Australian release unannounced.

The Missing Person



There’s one count on which The Missing Person proves pitch perfect: the ingenious casting of Michael Shannon. Sardonic, gin-swilling and self-destructive; the man who walked off with Revolutionary Road here proves tailored for noir in a modern detective story from writer/director Noah Buschel. Shannon plays John Roscow, a boozy, down-and-out P.I. hired to tail a travelling American (Frank Wood) with a 10-year-old Mexican boy in tow. Buschel’s screenplay talks the talk — his characters quipping in duly hard-bitten exchanges; its latter half even managing a poignant plot-thickener to affix the prefix ‘neo’ to its noir — but behind the camera, he’s a much less steady hand. Although awash with nicotine-stained hues and a gauzy haze, The Missing Person lacks the clipped visual command of the genre’s stand-outs. Worse, Buschel presents some seriously inelegant frames — to such an extent the term ‘amateurish’ (occasionally) flirts dangerously with the lips. But then there’s Shannon, always ready with a wearied glance and a mordant line, and for him, this simple moral play proves ultimately gratifying.

Australian release unannounced.

Thursday, June 11, 2009

ct @ SFF: At the Death House Door, Five Minutes of Heaven, The Limits of Control



Apologies upfront for both the lack of timely festival wraps and news bytes of late — I’ve been too busy in cinemas or simply having a holiday. Expect a glut of by-then old news posts upon my return to Melbourne (and please do forgive if my “daily” SFF impressions arrive somewhat after the fact). Today, meanwhile, I was lucky enough to catch a candid discussion with Oliver Hirschbiegel (from his introduction: “I’m freezing my balls off”) and James Nesbitt, director and star of Five Minutes of Heaven, at the film’s Australian premiere. All rumblings of an in-town John Hurt spruiking Jim Jarmusch’s The Limits of Control, however, proved unfounded. Drat.

At the Death House Door



Having overseen the world’s first-ever execution by lethal injection, Pastor Carroll Pickett is a man with a story to tell. Unfortunately, At the Death House Door, an often affecting documentary ostensibly centred on Pickett’s reluctant, 15-year tenure as chaplain-in-residence at Texas’ infamous “Walls” prison, isn’t content to simply present a study of the fascinating character at its fore. Instead, directors Steve James and Peter Gilbert split screentime with the story of Carlos De Luna, a former prisoner whose case haunts Pickett to this day; a young man rushed to death by the state on the most circumstantial of evidence and of whose innocence he remains firmly convinced. The story of De Luna’s surviving sister, Rosa Rhoton, is both tragic and touching and is certainly worthy of notice, but, as presented here, it’s precious time away from our compelling star attraction — as well as being faintly manipulative in a way the conscientious Pickett himself never attempts, even when asserting his abolitionist stance.

Australian release unannounced.

Five Minutes of Heaven



In 1975 and at age 17, Protestant extremist Alistair Little murdered Catholic Jim Griffen, Joe Griffen’s big brother, in an act of brash escalation as the horrified 11-year-old watched helplessly on. Oliver Hirschbiegel’s deeply impressive Five Minutes of Heaven takes this real-life atrocity as its springboard into provoactive fiction, hypothesising what might unfold should the pair (Liam Neeson and James Nesbitt, respectively) again meet face-to-face thirty-three years later for the purpose of a television interview, Little reformed and repentent, Griffen itching for vengeance, pocket blade at the ready and willing to kill. Guy Hibbert’s dexterous screenplay is both gut-bustingly funny and painfully pertinent, cleaving close to an honest emotional truth, even if its real-world subjects have never since exchanged so much as a syllable (though both were independently consulted during the course of development). Neeson is his ever-reliable self, claiming a standout scene in a multiple-minute, sole-shot soliloquy, though, as the skittish Griffen, it’s Nesbitt’s film — well, Nesbitt’s and Hirschbeigel’s, whose understated and stylish outsider’s eye proves perfectly attuned to the objectivity required.

Australian release unannounced.

The Limits of Control



Jim Jarmusch edges about as close as he’ll come to a thriller with the enigmatic The Limits of Control; a thriller only in that it tracks an anonymous, jet-setting hitman (Isaach De Bankolé) — those seeking Bourne-borrowing book-punching: prepare to be perplexed. Simulacra-stuffed and deliberately bewildering, Limits sees De Bankolé’s taciturn assassin in Spain on a clandestine assignment collecting matchboxed instructions from a string of informants (a strikingly alabaster Tilda Swinton and habitually nude Paz de la Huerta among them) as he inches his way — slowly, silently, surely — towards... well, we don’t know what. At two hours long and reportedly shot from a screenplay of just twenty-five pages, this is languorous to a point many will no doubt find insufferable, but, floating on a seriously sexy post-rock soundtrack, The Limits of Control hints at a wellspring of substance to be dechipered beneath its remote and exquisitely-lensed surface that will see it latch long to the memory.

Australian release July 23rd.

Wednesday, June 10, 2009

ct @ SFF: Missing Water, Coraline



Two exceptional films taken in today, complete with Teri Hatcher introducing the red carpet premiere of Coraline in 3-D, after which I found myself standing not two feet from the wonderful Miranda Otto. Shame I so sorely lack the requisite mettle to have struck up a conversation, then...

Missing Water



The power of memory and imagination are tested by Khoa Do’s (The Finished People) surprisingly bold Missing Water, which sees a cramped textile workshop transformed into the open seas thanks to a sloshing soundtrack and the sheer intensity of audience absorption. Taking a considerable cue from Dogville, Do’s story of four Vietnamese refugees’ (Kathy Nguyen, Sheena Pham, Vico Thai, Hieu Phan) journey through treacherous waters unfolds almost solely in the space of the sweatshop in which one of the survivors now fills her days, but the writer/director here arguably provides a more satisfying validation for his atypical approach than did Von Trier, Missing Water a heightened exploration of personal catharsis. Its most emotionally forthright moments occasionally fall prey to the inherent silliness of the play-acting tack and the performers’ relative inexperience, at times, is apparent, but Do’s is a film of remarkable impression which sees him enter the increasing ranks of Australian auteurs.

Australian release unannounced.

Coraline 3-D



‘Genius’ best describes Henry Selick’s command of his preferred medium, stop-motion animation, and Coraline is further evidence to the affirmative. The mind behind Nightmare Before Christmas here teams with kindred kook, Neil Gaiman, for an adaptation of the latter’s Alice in Wonderland-channelling novella concerning the otherworldly exploits of the plucky yet ennui-addled Coraline Jones (Dakota Fanning), an azure-mopped moppet who, while exploring her family’s new home, discovers a mysterious portal to a utopic parallel world. But things, she’ll realise, aren’t always what they seem... Selick’s surreal sensibilities stretch Coraline to the outer limits of the family film, parading an escalating cavalcade of oddity and menace, which, when viewed in depth-extending 3-D should serve as pint-sized psychotropics — much here is, commendably, the stuff of nightmare. There are lessons learnt and a tune or two, but Selick never reverts to pandering to expectations, and his magnificent Coraline, dark and dazzling, remains every painstakingly-gained inch the product of its puppet-master.

Australian release August 6th. Coraline will also screen at next month’s Melbourne International Film Festival. Look out for a future Coraline Read and Seen with LiteraryMinded.

Tuesday, June 9, 2009

ct @ SFF: Black Dynamite



After a hitch-free flight which bore the baffling news that SFF competitor Coraline (which I’m seeing tomorrow night — pinch me!) is currently available to jet-setters on Virgin Blue’s Live 2 Air in-flight service some two full months prior to its August 6th Australian release (seriously Universal, what the hell?), it was with much trepidation I checked into my week’s lodgings upon being handed the keycard for the ominously-integered room 1408. So far, no spooks, no mental meltdowns, but, should I fail to check out, avenge my death?

Now, however, impending hotel horrors aside, the first of my promised daily missives from the Sydney Film Festival. But a single screening partaken of today — the quietest corner of my holiday calendar...

Black Dynamite



Going beyond mere spoof and traversing the realm of genuine genre entrant, Black Dynamite is to blaxploitation actioners what Death Proof was to cheap drive-in nasties — that’s to say, almost one and the same. Michael Jai White stars as the kung-fu fightin’ former CIA agent on a personal vendetta to clean up the streets, bedding a bevy of beautiful “bitches” and blowing a national conspiracy wide open along the way. There’s no rote affectation to director Scott Sanders’ cut-rate visual vernacular — this is authentically clumsy and tawdry and anachronistic to a point that will have you checking the year of production at credits’ close, a decision which confirms Black Dynamite as a lampoon of love and not simply another smug exercise in ransacking fringe culture for broad, gormless guffaws. Its strut may falter when the joke drops its jive, but when it scores (as in a nunchuk tussle with Richard Nixon — honest), Black Dynamite doesn’t just hit its swaggering target — it obliterates it.

Australian release unannounced.

Monday, June 8, 2009

Heavy Metal Catches Cameron



Announced March last year, the David Fincher-executive-produced Heavy Metal animated anthology has gradually accumulated an enviable register of talent to marshal its racy phantasmagorias to the screen. Zack Snyder, Gore Verbinski, Mark Osborne and Fincher himself are all confirmed to be behind individual segments, but now Film School Rejects tells a true genre juggernaut will lend his exacting eye to proceedings: James “Aliens/Terminator/Terminator 2/Avatar” Cameron.

The filmmaker will join Fincher as co-executive producer as well as taking charge of one of the sections. Coupled with the talent announced and the knowledge this is pitching for a US R rating from the out, Heavy Metal is certainly shaping up to be something worth getting excited about...

Story here.

Bardem Boards Eat, Pray, Love



Javier Barden has signed to join Julia Roberts and Richard Jenkins in Eat, Pray, Love, Nip/Tuck creator Ryan Murphy’s adaptation Elizabeth Gilbert’s memoir of the same name.

Variety tells the performer will play Filipe, Gilbert’s (Roberts) paramour encountered “on the final leg of a journey of self-discovery.”

Story here.

Fanboys @ ACMI



Fanboys, Kyle Newman’s much-beleagured, cameo-crammed valentine to Star Wars fanatics galaxy wide, has commenced a limited release at Melbourne’s ACMI. I’ll have a review up in the days ahead, but if you’re the sort of person who can tell their AT-ATs from their AT-STs, chances are you’ll find much to enjoy.

Find session details at ACMI.

David Carradine RIP



On June 3rd, veteran performer David Carradine was found dead in his Bangkok hotel room of what appears to be accidental self-administered asphyxiation. The former star of Kung Fu notched up over two hundred screen credits in a career which spanned four and a half decades in both film and television and, aside from his iconic association with the role of Kwai Chang Caine/
“Grasshopper,” will be most fondly remembered ‘round these parts for his superb turn in Bound for Glory and as the titular assassin of the Kill Bill films.

Carradine was 72 and in production on Stretch at the time of his death.

Winged Creatures One-Sheet

IMP Awards has posted the new one-sheet for Winged Creatures, the American debut from Rowan Woods, the Australian filmmaker behind Little Fish and The Boys.

Enlarge:



Starring Forest Whitaker, Kate Beckinsale, Guy Pearce, Dakota Fanning and Jackie Earle Haley, the film releases locally on July 9th. I’ll be catching a screening on Saturday at the Sydney Film Festival — check back then for my (no doubt hastily scribbled) first impressions.

Sunday, June 7, 2009

Film Review - Lesbian Vampire Killers



To tell Lesbian Vampire Killers sucks may be trite, but there’s no more patent way to put it: Lesbian Vampire Killers sucks — hard. From its 300-cribbing prologue to its (shudder) sequel-plotting end and for every wit-wanting minute in between, this flaccid bid to launch the bigscreen careers of Britcom stars Mathew Horne and James Corden (of Horne & Corden — yikes) might filch flagrantly from modern horror/comedy sovereign Shaun of the Dead, but even the creaky entendre stacking of an Elvira’s Haunted Hills leaves this undead disaster for dust at the dawn.

Horne (here boring) and Corden (here repellent) are a detestable duo on a pick-me-up getaway in the misty hamlet of Cragwich. Shacking up with a vanload of saucy Swedish history students, the pair soon learn the village is plagued by an enduring curse equal parts ancient and unusual: at midnight’s stroke on her eighteenth birthday, every daughter of Cragwich is transformed from maiden fair into claret-craving lesbian fang-face. So it’s hardly The Shining, but in less middling hands the potential for a splat-tastic, Raimi-esque riff on Hammer’s lusty lady-vamp-on-lady-vamp chomp-romps from the 70s could have been mined to at least mindlessly riotous effect, but director Phil Claydon misses his sizeable mark at each cobwebbed and cobblestoned turn. Set-pieces fall flat, one-liners hang limp in the air and the preoccupation with stylistic gimmickry openly distracts; only Paul McGann as an avenging, Van Helsing-like Vicar raises anything resembling a laugh, sidestepping the screenplay’s innate lack of humour with a performance of true comic bite.

Bafflingly bloodless (the titular titillators, when slain, erupt in an icky exhibition of viscous white fluid — lowest common denominator lad’s gag, or tell-tale signifier of the uneasy blanket of underlying misogyny?) and devoid of both tension and charm, Lesbian Vampire Killers — make no mistake — sucks.

Hard.

DIRECTOR: Phil Claydon
SCREENWRITERS: Paul Hupfield and Stuart Williams
CAST: Mathew Horne, James Corden, Paul McGann, MyAnna Buring, Sylvia Colloca
RATING: MA15+
RUN TIME: 88 minutes

Thursday, June 4, 2009

Toy Story 3 Teaser Trailer



I still remember every detail of my eleven-year-old self’s excursion to first see Toy Story: who took me and who tagged along, where we sat in the cinema and the overpowering impression that, as when initially watching both Nightmare Before Christmas and Jurassic Park two years prior, my embryonic movielover’s mind was in the course of witnessing a future favourite. Just as vivid is the heady pleasure experienced at age fourteen upon realising Toy Story 2 as that rare sequel to match up to its much-beloved forerunner, and so it’s with unbridled enthusiasm I anticipate Toy Story 3, set to drop locally June 24th, 2010.

I’m a little late to the reunion, but Apple Trailers last week premiered the film’s charming first teaser. Check it out — the gang’s all here.

Wednesday, June 3, 2009

Status Update



Things have swiftly segued from bad to busy on this side of the screen, and my recent neglect for all things both bigscreen and bloggy has been no more deeply felt than by yours truly. But fret not, my ever-appreciated cinematically-inclined cohorts, for the days ahead bring much movement ‘round these parts indeed. In just under a week’s time I’ll be making wings for Sydney for a stretch of film festival frequenting and be providing reflections and first impressions from the front row/line on the thirteen features I’ll be taking in across the duration of my six night stay. So keep one eye on the Twitter and the other here affixed — my unavoidable absence of late shall soon be voraciously atoned for.

To fill the handful of days betwixt the now and said impending Sydney sojourn I’ll endeavour to rummage through a week’s backlog of news and miscellanies missed, as well as striving to complete at least one of the half dozen part-written and soon-to-be-outdated reviews patiently awaiting my renewed attention in my ever-expanding, all-but-orphaned drafts list. But please do bear with me if the immediate future carries little more than best intentions unmet — it’s been a difficult time, these past seven days, and my batteries remain only half re-charged.

If you’re wanting for viewing recommendations, may I suggest (in democratically alphabetical order): Gomorrah, Mary and Max, My Year Without Sex, Observe and Report, Samson & Delilah, Star Trek, Sunshine Cleaning and Synecdoche, New York. I’ve some titles to catch up on myself these next few days — hopefully come next week I’ll wish to add Terminator Salvation and Adventureland to the list.

Again, your patience and readership are perennially cherished. I’m at least back home and once again with the luxury of regular internet access, so let me know what you’re watching in the comments, should you feel so inclined.

- gerard.

Tuesday, May 26, 2009

On Hold

celluloid tongue has temporarily hit pause. I’ll be back very soon, but thankyou for your understanding.

- gerard.

Monday, May 25, 2009

Samson & Delilah, White Ribbon Honoured at Cannes



In what’s clearly quite a coup for its Australian creators, Samson & Delilah, Warwick Thornton’s tale of tough, young Indigenous love, has taken the Camera d’Or first film prize at the Cannes Film Festival.

“Thank you for believing in our first born baby,” gushed the filmmaker upon accepting the well-earned award.

The coveted Palm d’Or for best film was claimed by Austrian provocateur Michael Haneke’s White Ribbon, a black-and-white fascism fable set on the eve of WWI.

Find a full rundown of prizewinners from the 2009 festival at the official site’s newsfeed.

Thursday, May 21, 2009

Inglourious Basterds Clip



Having just had its inaugural unspooling at Cannes to expectedly critic-splitting effect, Quentin Tarantino’s Inglourious Basterds has a new clip up for viewing at Yahoo! Movies, complete with on-location introductory communiqué from its festival-favoured director.

Watch here, but be warned: there be violence...

Pontypool Poster

“CRONENBERGIAN!” screams the new one-sheet for Bruce Macdonald’s Pontypool, a zombie film in which the transformation from regular Joe to undead, brain-craving meatbag is triggered by the spoken word — hence the excellent tagline: “Shut up or die.”

Enlarge below:



This arrived thanks to ShockTillYouDrop. Pontypool makes its Australian debut at next month’s Sydney Film Festival.

New 9 Trailer



WETA-whiz Shane Acker’s 9 has an admirably intense new trailer at Yahoo! Movies, providing first insight as to how the film’s sentient ragdolls came to inherit a barren Earth.

Loving how genuinely scary this seems for a kid’s flick. Watch here.

Wednesday, May 20, 2009

Sherlock Holmes Trailer



Despite courting unfavourable comparisons to the torturous Wild Wild West, the trailer for Guy Ritchie’s seemingly biffo/knob-joke-heavy, wit-lite Sherlock Holmes has one true saving grace: the promise of another sterling central turn from Robert Downey Jr. Well, two if you count the appearance of a corseted Rachel McAdams.

Which I do.

Check it out at Yahoo! Movies.

Tuesday, May 19, 2009

Corbijn, Clooney: Private Gentlemen



Control helmer, Anton Corbijn, has tapped George Clooney to star in his sophomore feature, A Very Private Gentleman, says Variety.

An adaptation of the novel by Martin Booth, Gentleman orbits a reclusive contract killer hiding out in a small Italian town prior to spattering his last ever cloud of pink mist. His mission is complicated by his uncharacteristic decision to partake of the local social scene.

28 Weeks Later scribe, Rowan Joffe, will pen the screenplay.

Story here.

Bayona, Sanchez Prep Second Pairing



Juan Antonio Bayona will reteam with his Orphanage screenwriter, Sergio Sanchez, on a presently untitled mystery project.

Variety has let tell the pair are planning a film “based on true facts, which poses large technical challenges.” Exactly what this means is, for now, anyone’s guess, but we’re promised one thing:
“The film looks absolutely unique,” says Ghislain Barrois, CEO of backers Telecinco Cinema.

Bayona remains committed to Haters, an adaptation of the David Moody novel to be produced by Guillermo del Toro. The filmmaker’s newest outing looks set to shoot in 2010.

Find the full story here.

Ramsay, Swinton Team to Talk About Kevin



Lynne Ramsay, writer/director of the sublime but now seemingly little-seen Ratcatcher, will team with Tilda Swinton on We Need to Talk About Kevin, tells The Hollywood Reporter.

In Kevin, an adaptation of the novel by Lionel Shriver, Swinton will play “a smart, educated New York mother who does her best to raise a son she never wanted in the first place. He turns out to be extremely difficult and is at the centre of the woman's marital breakdown” – so far, so-so – “before going on a killing spree at his high school with a crossbow.”

Sold.

Story here.

Inglourious Basterds Official Site



Just in time for its in-competition world premiere at the Cannes Film Festival, Quentin Tarantino’s Nazi-clomping WWII extravaganza, Inglourious Basterds, now has a very stylish official site.

Ready those baseball bats, polish your combat boots and make a steely-eyed beeline for InglouriousBasterds-Movie.com.

The film reaches Australia August 20th.

Monday, May 18, 2009

$9.99 Trailer



Geoffrey Rush, Anthony LaPaglia, Claudia Karvan and Joel Edgerton front the cast of Tatia Rosenthal’s Israeli/Australian stop-motion animated co-production, $9.99. Rush, no stranger to the form after having narrated Adam Elliot’s Oscar-winning Harvie Krumpet, has described the film as “a claymation of Robert Altman’s Short Cuts.” $9.99 screens at next month’s Sydney Film Festival.

Find its first trailer at Apple Trailers.

First Confucius Pics

Sina has revealed the first three stills from Mei Hu’s Confucius, a biopic centring on the ancient philosopher that’s currently shooting in China.

Enlarge:





That’s Chow Yun-Fat in the title role. The film releases late 2009.

New District 9 Poster

From the viral site MNU Spreads Lies comes a new teaser one-sheet for Neill Blomkamp’s faux extraterrestrial refugee docu-drama, District 9:



October 15th feels awfully far away...

Hemsworth Heads Casts of Thor, Red Dawn


Recently seen playing baby daddy to one James Tiberius Kirk in JJ Abram’s Star Trek, Home and Away star Chris Hemsworth is about to see his star rise.

The Hollywood Reporter tells the Australian has tentatively booked the title role in Kenneth Branagh’s Marvel adventure epic, Thor, as well as taking lead in Dan Bradley’s impending remake of 1984 Patrick Swayze-starrer, Red Dawn. The Thor gig is conditional on the actor’s availability; Red Dawn is set to lens in August.

Story here.

Friday, May 15, 2009

Bud Tingwell RIP



Veteran icon of Australian screen, Charles ‘Bud’ Tingwell, lost his battle with prostate cancer on Friday.

And his homeland feels that little bit less special without him...

Find The Age’s tribute to the beloved performer here.

Tonguelash Podcast: After Hours Edition



tonguelash’s freshest installment is an affair of firsts: The first episode we wax cinematical sans Owen ‘The Late Breaker’ Vandenberg; the first appearance of Angela ‘Ms LiteraryMinded’ Meyer; and (most embarrassingly) the first time we hit the sauce and dial up the frank-o-meter.

Episode summary:

“Gerard and Ken are joined by Angela ‘Ms LiteraryMinded’ Meyer for an intimate, extended edition of the tonguelash podcast. Blocks are busted — nay, have their asses handed to them — as the intrepid trio not-so-boldly extol the intergalactic virtues of JJ Abrams’ new Star Trek, and — finally! — tonguelash keeps its Antipodean end up by reflecting on the distinctly disparate (though uniquely Australian) voices behind recent favourites, Samson & Delilah and Mary and Max. From here, however, all bets are off as your humble hosts open a bottle — and their hearts — and delve into a feature-length rumination on the elusive, soul-twisting humanity of Charlie Kaufman’s Synecdoche, New York.”

Again, I thank Ken Erickson of Urban Mariner for lending his eloquently-administered insights, and I myself would like to apologise for how quickly I degenerate into a cussing, existentially-anxious puddle of disgrace once the whiskey starts flowing and we sink our teeth into Synecdoche — hardly my finest hour. This episode carries a big, red, flashing SWEAR WARNING and runs just shy of two hours as:

a) With so much material to wade through, I became lazy in the edit; and
b) We felt it would be fun to serve up a largely uncensored round-table reflection on a film which quite clearly left an indelible impression.

But mostly a).

Audio quality is as average as ever, and your continued patience is certainly cherished. But please sit tight — I can promise big things are afoot in the world of tonguelash...

And now, without further flurry or fanfare: tonguelash: After Hours Edition. To download the MP3 file of this episode, right click and ‘Save As’ here. To subscribe to the tonguelash RSS feed in iTunes (generously maintained by Mr. Vandenberg), click here.

As ever, your comments, feedback and scathing ridicule remain both welcome and enormously appreciated.

PS — and when mentioning Badlands, I of course mean Martin, and not Michael, Sheen...

The Road Trailer



Cloyingly constructed though it may be (“An epic journey is about to begin”? Please), even the misleading efforts of The Weinstein Co’s marketing sect can’t detract from the slack-jawed gob-smackery of the first footage released from John Hillcoat’s The Road. Ignore the action-packed montage-making that’s pushing hard for a sexy, pulse-racing sell and simply soak up the desolate splendour of the filmmaker’s frames...

Find the trailer at Yahoo! Movies.

Sydney Film Festival Announces Lineup



Selick. Soderbergh. Loach. Jarmusch. Ward. Woods. Woo. Caesar. Hirschbiegel.

Interest piqued? It should be.

Check out the lineup for the 2009 Sydney Film Festival, running from June 3rd-14th.

Thursday, May 14, 2009

Nine Trailer



Looking every sumptuous inch the product promised by its early “From Rob Marshall, Director of Chicago” title card is the trailer for Nine, an adaptation of the Broadway musical of the same name (...which itself is based on Fellini’s ). Daniel Day Lewis (here making his honest-to-goodness tune-belting debut) stars as a revered film director navigating a personal gauntlet of femininity in the enviable forms of Penélope Cruz, Marion Cotillard, Nicole Kidman, Judi Dench, Kate Hudson and Sophia Loren.

Apple Trailers is the place to be, and though this looks a little in danger of tipping too far into the loin-thrusting MTV glossiness its story of high-profile creative meltdown needs to subvert, there’s no denying much of this seems too irresistable to ignore.

Watch here.

Nine arrives January 21st, 2010.

A Christmas Carol Poster

Robert Zemeckis once again hazards the perils of the uncanny valley with his mo-capped take on Charles Dickens’ perennial and oft-adapted yuletide staple, A Christmas Carol, which releases in IMAX 3-D on November 5th.

Yahoo! Movies has plucked the first poster from beneath the tree and unwrapped it early. Enlarge:



Jim Carrey stars in four roles, Gary Oldman in three and Bob Hoskins, Robin Wright Penn, Carey Elwes and Colin Firth round out the cast with a single character apiece.

Scorsese Signs for Sinatra Story



Silence. I Heard You Paint Houses. Add to this one Frank Sinatra biopic and you have Martin Scorsese’s increasingly crowded schedule. Variety tells the filmmaker, whose Shutter Island reaches our shores October 2nd, has been circling an Ol’ Blue Eyes film for at least the past two years and has finally committed to shoot a script from Field of Dreams scribe, Phil Alden Robinson.

Sinatra’s original recordings will be used for the film, which is said to be “an unconventional biopic that will touch on all phases of [his] life.” No star has yet been signed, though with the crooning requirement removed from the equation, the filmmaker’s four-time leading man, Leonardo DiCaprio, seems the obvious choice.

Full story here.

Whatever Works Trailer, Poster



Larry David, Hope Davis and Evan Rachel Wood lead the cast of Woody Allen’s return to New York, Whatever Works. If this ultimately comes off as Curb Your Enthusiasm-lite, who are we to complain? It’s more Larry David! Find the first look at the film at Apple Trailers.

In additional Whatever ephemera, New York Magazine recently debuted the film’s first one-sheet:



Like I said — more Larry David!

Public Enemies Character Posters

How much am I looking forward to Michael Mann’s prohibition-era gangster thriller, Public Enemies?

This much:




This trifecta of tremendousness arrived courtesy of Kinopoisk.

Streetsweeper Screening at ACMI



Streetsweeper, Australian filmmaker Neil Mansfield’s nano-budget character study shot over three days in Newcastle during 2007, is screening this weekend at Melbourne’s ACMI.

Tickets are $8 and the showing will be followed by a discussion with Peter Krausz, chair of the Australian Film Critics Association. Find more info and book tickets at ACMI’s website.

For more on the film, visit its official site. It’s yet to secure any sort of wide release, so catch this while you can — I know I will be...